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Cyrus, for all her brazen, lip-lolling trampiness, could learn a thing or two from a master of the scandalous inference. A suggestive word or two, coupled with an arched eyebrow and a just-right pause, is ultimately much more of an aphrodisiac than letting it all hang out, with or without a wrecking ball. The action takes place in the tastefully appointed London flat of Fred and Julia Sterroll Mike Ryan and Colette Kilroy , an upper-class couple settling into the middle years of their unexceptional marriage. Though they profess to be in love, their union is showing signs of ho-hum-ness. Fred reads his morning paper and barely acknowledges Julia as he prepares to golf with his longtime pal and neighbor, Willy Banbury Andrew Barnicle.
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Well, if you are a bit of a geeky whovian, like me, then a swarthy Galifreyan Time-Lord bent of universal domination is your man. If however you are of a more literary nature then your thoughts will turn to someone else entirely. The show is comprised of two one-act plays and concerning the lives and loves of the English upper classes. Louise, Karl and Hubert, discuss the matter calmly and objectively — along with some quite emotional outbursts from Clara and try to decide what to do for the best. However, as the moon sets and the sun rises how will Louise and Karl view in each in the cold light of day.
With an usher in a dinner jacket, fans supplied to cool a warm evening and a pianist in a white tuxedo, things are nicely set up for an evening of period Coward made up of two of his short plays and some of his songs as a garnish, all played without interval. We Were Dancing is one of the 10 plays written in to be played in a changing combination as Tonight at 8. It first appeared on the same bill as Red Peppers but it has rarely been included in recent revivals.